Since the dawn of cinema, gangster dramas have been one of the most revered genres. When it comes to the stories involved, the question is: Does the subject have a chance to leave and lead a life with dignity? And how will it appear? The immersive case study of that same idea is Vendhu Thanindhathu Kaadu, which has ten strong folds that make up a narrative that transcends just one genre.
A boy’s coming-of-age tale after emerging from the marginalised life he led in his village for roughly 20 years is at the centre of the story. He travels to Mumbai, where he is captured by the underworld and every time he tries to escape, he sinks further into the blood. Of course, this is something we must have seen, but Jeyamohan adds a character that is the opposite of the standard one. He made Sreedharan (Neeraj), who arrives in the largest city on the same day as Muthu but manages to avoid becoming stained by the blood and even survives. In terms of their fortunes, they are polar opposites of one another.
Jeyamohan fabricates a tale for Muthu in which a rifle determines his fate. He is a power-hungry individual who, as an astrologer once said about him, prefers a pistol than a large sum of money. He will eventually commit murder, as predicted, and that is what happens. Through characters like Muthu and others who are at various levels of the underworld, Menon and the author build a confining universe that is crammed into a small space above a seedy restaurant. Even when the world is enhanced with first-rate luxury, it stays the same. The youngster stumbles on thorns in the beginning of the voyage, and he defeats them at the conclusion with a lot of blood on his hands.
The love tale is what the writing struggles to grasp. Muthu develops feelings for Paavi. However, the creators employ this aspect in the strangest way possible, making it entirely irrelevant. Although it seems simple, Jeyamohan seamlessly weaves gangster drama and coming-of-age stories into one cohesive whole. He introduces the love aspect as a diversion whenever there is a significant update between the two.
Review of the film Vendhu Thanindhathu Kaadu: Star Performance
Muthu is perfectly understood by Silambarasan. He comprehends the fury, where it comes from, and why it is so extreme. He portrays Muthu with such a blank stare that we, the audience, are unsure of what will come next. It aids. By looking at him, we can tell that Silambarasan notices a 180-degree change. But does the person below the new clothing alter? View the movie.
Despite having a small amount of screen time, Neeraj Madhav as Sreedharan manages to arouse a great deal of interest in himself. He is Muthu’s complete opposite, which makes him feel extremely humiliated. In his portion of the tale, Madhav adds the most emotional depth by bringing out the character’s vulnerability.
The rest of the group is in fine form, and I am at a loss for words to adequately express the enchantment that Radhikaa Sarathkumar does every time.
Review of the film Vendhu Thanindhathu Kaadu: Direction and Music
Gautham Vasudev Menon seeks to confront the denigration of immigrants, the marginalised, and the ignorant via his leadership. He uses claustrophobia as his weapon, building small, claustrophobic spaces with little natural light to make you feel its absence. He’s trying to make you experience what Muthu goes through. His internal conflict between handing up power when it was just a step away and feeling helpless. Or the discomfort he feels physically every time someone or something touches his numerous wounds, which are caused by thorns.
The manner he choose to conclude the film also doesn’t seem appropriate. The second part’s introduction comes out as hurried and arbitrary. It has no effect and feels like extra information we should completely disregard. Menon is also a pretty self-indulgent person, and his indulgence in some situations does cause them to be dragged out quite a bit.
The perspective of DOP Siddhartha Nuni on this scenario is similar to that of Anurag Kashyap in The Bombay Velvet. It is genuine and well-rounded. Nuni’s talents help the art department create a living environment that makes it easy for people to see themselves there. The handheld camera that accompanies Muthu into each battle and crucial scenes is so adeptly employed to capture the confusion and jiffy that it gives you the impression that you are there while the battle is taking place.
Here, AR Rahman is at his very best. Every character has a theme that the guy develops, and he employs them in unexpected situations to great effect. In his album, he writes two songs about lovers conversing in poetry, both of which are incredibly well received while having quite distinct moods. More flavour is added by the choreography that favours long shots over close-ups. This Rahman album will endure.
Review of the film Vendhu Thanindhathu Kaadu: The Final Word
In contrast to other heroes who lack any sense of reality, Vendhu Thanindhathu Kaadu shows the human side of a terrifying persona. GVM reaches the highest points a man is capable of in order to battle his destiny and what it has in store for him, and he does it admirably. Choose this one since much effort has been made to move in the correct way.